
- Dates
- 15 December 2007 – 23 December 2007
- Venue
- Godot Galéria · A korabeli cím ellenőrzés alatt.
- Press contact
- [email protected]
Short listing
An exhibition revived from the Godot Gallery’s original archive.
Full exhibition text
There are many animals in the country, and we shoot one!
The x‑T media, Nagy Kriszta, and Godot Gallery invite you to this.
For the consumption of a certain Ökör on December 15 at 16 o’clock, the Godot.
In front of the gallery, towards Madách Square.
Is this an art act or merely a ceremony? Kriszta Nagy once again pushes the boundaries, this time straddling the line between art and real life. Art, which creates adverts, and life, in which that…
He’s celebrating. He’s celebrating the fact that, after a decade of fiddling with a flag, he finally managed to make a hole in the great Hungarian advertising ice‑armour.
I hope that the creative forces bursting at the seams within this talent will finally settle, the water begins to boil, and a happy lubick will follow, surrounded by satisfied art leaders, clients and consumers. By then the bikini may no longer suit me, but according to my calculations I will still be able to allow myself a full‑body plastic surgery from my fee.
Count Kriszta Nagy and the finally launched x‑T media celebrated PEST EST, whose ice had settled around it, and the gravel could have hissed. PESTI EST commissioned the first advertisement that became part of art history and advertising history; its creator does not see herself as prostituted or a deity, and the matter is good.
This is not about opportunities – the ones that have not been used or have been rejected – nor about the giant poster plans of the batik class talents, but about the commission, the uncompromising implementation, and – which assumes the existence of a fee – about the allocation of part of that fee, which in and of themselves justify the celebration.
The Hungarian advertising 10‑year‑old major problem was solved in a tiny dimension, a problem that we heard a lot about among the industry’s credible critics.
The artist knows that the number of his enemies has, once again, increased, but while demonstrating that his intentions do not clearly show a peaceful existence, he exhibits painted stone doves in the gallery, which were originally bone pairs from memorials, and clearly show the arrival of peace.
On the day of the event, take a slice from the apron, in plain font, and until Christmas the two paintings of the first project of x‑T media will be visible, no longer on two separate sites, but side by side, uncensored! In the company of peaceful doves…
Pesti Est advertisement – larger size
Pesti Est Advertisement II. – larger size